Critics say they had their chances. People following the director’s long, crazy road to arrest don’t understand the timing of Polanski’s capture. It wasn’t like he had never been to Switzerland. In fact, he had a home there and openly traveled to the country. But authorities claim it was a matter of knowing when he was going to be there, but they hadn’t been scoping him out closely. source
Funny as heck compilation of the lack of cell-phone coverage by the well-written fourfour. 66 movies are included in this compilation, all of them facing a similar problem: No cell phone coverage.source
Capitalism is an evil, and you cannot regulate evil. … You have to eliminate it and replace it with something that is good for all people and that something is democracy.
Michael Moore • In the ending monologue to his new movie, “Capitalism: A Love Story,” which is hitting the Venice film festival today. His reasoning? Capitalism – at least the form practiced on Wall Street – is damaging to our economy, and bankers and investors are gambling with our money. He has a point in the midst of the rhetoric, but considering that we have a president who regularly gets called a socialist, it’s probably going to be lost on the American public. • source
The great, sick joke of the film’s grindhouse logic is that even though what it shows us didn’t happen, in a larger, almost abstract sense it did happen. (I mean, it’s not as if the Nazi high command, in the end, wasn’t destroyed.)
Entertainment Weekly film reviewer Owen Gleiberman • Discussing the possibility that Quentin Tarantino’s latest film might be the birth of a backlash. He notes that one of his reviewer friends found the end of the movie to be extremely offensive. Glieberman’s unnamed friend “thought Tarantino had stepped over a line of historical veracity, and that audiences, especially younger ones, might be led by Inglourious Basterds to embrace the idea that World War II was just another meaningless pulp fantasy.” Our thought? Tarantino’s only doing what his inspirations did – play fast and loose with history for entertainment’s sake. • source
A movie that gets 80% positive reviews on Rotten Tomatoes — 90% from top critics — won’t see the light of day because Summit consistently made some of the worst choices, and their core audience summarily dismissed the movie without seeing it based on their sale.
A prominent filmmaker who wished to be anonymous • Regarding the outright bombing of the Vanessa Hudgens movie “Bandslam,” which was marketed like a Disney film despite the fact that the plot of the movie leans much closer to an offbeat indie flick like “The Commitments.” It just happens to feature teen pop icons Vanessa Hudgens and one half of Aly & AJ. Our thought on the matter: If you don’t wanted it marketed like a Disney flick, don’t cast Vanessa Hudgens. • source