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24 Aug 2009 20:41

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Culture: Does “Inglourious Basterds” play too fast and loose with WWII?

  • The great, sick joke of the film’s grindhouse logic is that even though what it shows us didn’t happen, in a larger, almost abstract sense it did happen. (I mean, it’s not as if the Nazi high command, in the end, wasn’t destroyed.)
  • Entertainment Weekly film reviewer Owen Gleiberman • Discussing the possibility that Quentin Tarantino’s latest film might be the birth of a backlash. He notes that one of his reviewer friends found the end of the movie to be extremely offensive. Glieberman’s unnamed friend “thought Tarantino had stepped over a line of historical veracity, and that audiences, especially younger ones, might be led by Inglourious Basterds to embrace the idea that World War II was just another meaningless pulp fantasy.” Our thought? Tarantino’s only doing what his inspirations did – play fast and loose with history for entertainment’s sake. • source

23 Aug 2009 21:14

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Culture: “Inglourious Basterds” easily Tarantino’s biggest opening ever

  • $37.6 million the box-office tally “Inglourious Basterds” drew this weekend source

20 Aug 2009 22:52

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Culture: Before seeing “Inglourious Basterds,” watch “Inglourious Plummers”

  • Anything is better with Mario. Including killing Nazis. Er, goombas.source

07 Aug 2009 12:18

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Culture: “Inglorious Basterds” gives a glorious welcome to Eli Roth’s parents

  • So my parents were there with Hitler singing ‘Happy Birthday,’ watching their son do his Nazi propaganda movie.
  • Director/actor Eli Roth (who is Jewish by the way) • On the surreal experience of convincing his parents to visit Berlin – breaking a vow they made to never visit the city – to see him make “Inglorious Basterds.” Director Quentin Tarantino had his 300 characters, dressed as Nazis, sing for Roth’s parents as if it was their birthday (it wasn’t). This actually amused the heck out of them – they spent the day getting charmed by Tarantino. Man, we need to try harder. • source