• We aren’t experts of Oscar music outside of the rock era, but we have a few ideas as to what makes a good movie song – surprise, heft, and beauty. Unfortunately, most of those songs didn’t get nominated until the ’90s, which means that we’re in a golden era for Oscar-nominated music. Many of the best Oscar songs don’t win, but it’s an honor just to be nominated, really. Here are five we recommend:

• 1. Paul McCartney’s post-Beatles career has been a mixed bag, but at least two absolutely killer tunes came out of it – “Band on the Run” and “Live and Let Die ,” a 1973 nominee which nailed the Bondness of Bond but didn’t lose the Wingness of Wings. The kitchen-sink feel of the song actually suits it pretty well.
• 2. Bruce Springsteen did a pretty great job of washing away the cheesiness of the awful synth-heavy pop tunes (and showtunes) that got nominated for Oscars in the 80s, winning for “Streets of Philadelphia,” a song with genuine weight and grit that opened the door for creatively-risky songs. Seriously, the Academy has never nominated a punk song, ever. If Bruce didn’t win in 1993, Three 6 Mafia wouldn’t have won in 2005. You can quote us on that.
• 3. “That Thing You Do,” as written by Adam Schlesinger, who later became famous with Fountains of Wayne, may have been the Academy’s biggest lark in 1996. Without the song (which was, and still is, an amazing pop gem), the movie would’ve completely sucked. For that reason alone, it’s understandable but a shame it lost – it literally was the best part of a decent movie, the rare song that holds up on its own but makes its source material that much better.
• 4. Elliott Smith’s “Miss Misery” was a mixed blessing for the indie-rock icon, as it offered him tremendous success due to the “Good Will Hunting” tune’s nomination in 1997 (which he used to full advantage on “XO” and “Figure 8“), but ultimately put him in a position where drugs were in a prominent place in his life. At the time, though, it was a truly daring choice for the Academy, one that hasn’t been reflected since.
• 5. As a story angle, The Swell Season’s “Falling Slowly” had a little of everything – real-life romance, song-making-the-movie strength, and ceremony drama, when Markéta Irglová, one half of the “Once” duo (The other half being The Frames‘ Glen Hansard), was famously snubbed out of her 2007 acceptance speech, only to be allowed back on-stage to give one. That’s something that NEVER happens.

Other nominees: “Theme From Shaft” by Isaac Hayes, “The Rainbow Connection” by Kermit the Frog (seriously), “Against All Odds (Take a Look At Me Now)” by Phil Collins, “Take My Breath Away” by Berlin, “Under the Sea” from “The Little Mermaid” (also seriously)

• One of these four kids has a future as a music critic. The other three seem like they would’ve liked anything that James Mercer and Danger Mouse played for them.

• Of course this sounds arrogant. But it also sounds sincere. Kanye is talking about the death of fashion designer Alexander McQueen, his mom’s death, and his own creativity. Too bad he wrote about it in loud, annoying all-caps text (in a faint, light color) so it’s kind of hard to read. Make the effort to squint. It’ll be the best squinting you do all day. source

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• Experimental music is in its gravy days. With bands from Animal Collective to Grizzly Bear taking on-its-face odd music to the Billboard charts, we figured we were due to look back at some of the roots of weird tuneage. Most of this stuff isn’t as listenable as, say, Lady Gaga, but there’s something to be said about the challenge they offer.

• 1. This is kinda accessible. Steve Reich is perhaps the most famous name of minimalist music. From magnetic-tape-looped early works such as “It’s Gonna Rain” to later instrumental and sampled works, he’s a huge influence on what indie rock has become. You can hear, for example, some of Sufjan Stevens’ musical left fields in “Pulses.”
• 2. Talk about acquired taste. The Residents may perhaps be the most acquired taste in the history of rock music, but not one without a great history. A bunch of experimental raiders, the band has managed to keep its public profile secret for about 40 years now – or about four times longer than KISS did. And in 1979, they even got nominated for a Grammy for “Eskimo,” an album of made-up Inuit folk tales. The comparisons to Animal Collective are myriad.
• 3. Also acquired taste. The Red Crayola/Krayola is a band that famously knew little about playing their instruments at first (but lots about freaking out), and now is a musical front for psych-rock survivor Mayo Thompson, who later worked with members of Tortoise. Fun fact: The guy playing keys on “Hurricane Fighter Plane” is Roky Erickson, a garage-rock icon who has a pretty interesting history of his own.
• 4. By this point, also acquired. Scott Walker’s early career – which leaned heavily on orchestral pop – was hugely influential on dudes such as Beck (“Scott 4” is one of the most underrated albums ever). But by the early ’80s, he started going off the grid, to the point that by 1995’s “Tilt,” his music was completely unrecognizable. “Farmer in the City” is a beautiful, cinematic tune, but it’s also a complete mind-screw.
• 5. This is acquired, too. Captain Beefheart‘s weird, off-key masterpiece, “Trout Mask Replica,” still isn’t very easy to find legally online, but debut album “Safe as Milk” still has a lot of the cluster-screwing elements that his later works did. If you had Howlin’ Wolf drop a lot of acid, you might get kinda close.

• 10 billion songs sold, the latest by
  Mr. Johnny Cash source

• 1. Expect Local Natives to become like catnip like blogs like ours for the next twelve months or so. They have all the elements of every big indie act here – the multi-voice harmonies of Fleet Foxes, the scale and trauma of The Arcade Fire, Vampire Weekend’s ability to ride a groove, and the garage swagger of just about everybody else. And that’s all in one song, “Camera Talk.”
• 2. Adam Green has a lot to atone for, what with the calling card of the Moldy Peaches (and all the good and bad that entails) on his resume. But “What Makes Him Act So Bad?,” along with the Velvet Underground sparkle of new album “Minor Love,” goes a long way.
• 3. Speaking of Fleet Foxes, Mumford and Sons may be the first band to be directly inspired by them, if “Sigh No More” is any indication. That’s a lot of vocal harmony.
• 4. Phantogram has more than a little trip-hop influence in their sound, as the big fat beat at the beginning of “Running From the Cops” emphasizes. The calm female “Ooh…” in the mix has the effect of making the blunt effect of the rough beat seem a lot less blunt.
• 5. A pretty awesome compilation that came out this week, “The Minimal Wave Tapes: Vol. 1,” focuses on very minimal electronic from post-punk movement, as curated by Minimal Wave label-runner Veronica Vasicka and released on Stone’s Throw records. From the comp, Crash Course in Science’s “Flying Turns” has a lot of edge, a lot of simplicity and a dark groove.

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  unnatural*
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  vigorless

* – Peter Gabriel too

• Over the last week or two, a YouTube user named iamamiwhoami has been uploading these insane music videos, featuring a blonde singer who vaguely looks like Christina Aguilera (along with a bunch of Europop stars) The videos are simply insane. The music sounds awesome, all distorted and electronic. Who is it? Is it a hoax? Is it an alternate reality game that someone’s about to dish out? We want to know. source

• Yeah yeah, we know this is a day late. We got held up by the snow. Stop yelling at us! We’re sensitive.

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