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22 May 2009 12:09

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Music: Pitchfork goes against the critical tide on Green Day

19 May 2009 09:02

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Music: Eminem gets a backhanded compliment from Pitchfork on “Relapse”

  • 4.8 At least it’s not as bad as “Encore” was, they say source

04 May 2009 03:00

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Music: Conor Oberst ain’t feeling the critics’ love from Pitchfork

  • 4.9 their rating of the Bright Eyes dude’s latest, “Outer South” source

23 Apr 2009 10:54

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Music: Three recent albums Pitchfork says are worth your time

  • Camera Obscura, “My Maudlin Career”: “The album feels as if it could have been released any time in the last 50-odd years, but the inspired arrangements – and, of course, Campbell’s indelible voice – make it sound fresh, too.”
  • Art Brut, “Art Brut vs. Satan”: It’s a return to form after a just-OK second album, “a scrappy, romantic, and painfully hilarious return to loserdom. Coldplay will always be more popular. So what? I hate those guys!”

23 Mar 2009 09:48

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Music: The Decemberists suffer a Pitchfork raspberry for “Hazards of Love”

  • 5.7 they said it’s too overblown & theatrical, not catchy enough source

09 Mar 2009 00:49

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Music, Politics: Our rating of the redesigned Pitchfork Web site

09 Mar 2009 00:42

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Music, Politics: Pitchfork redesign: Uber-clean, no blue stuff overload anymore

The Onion A.V. Club wanted to do this with their redesign. But Pitchfork actually did it. It rules. source
 

02 Mar 2009 09:06

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Music: Pitchfork’s line on the new U2 album: It sucks.

17 Feb 2009 10:42

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Music: Pitchfork is lukewarm on the new M. Ward album

  • Hold Time is an enjoyable, well-constructed album, and as good a place as any for newcomers to start – it just doesn’t hold many surprises.
  • Marc Hogan • In his 6.8 review of “Hold Time,” the latest by singer-songwriter M. Ward, who’s become pretty popular over the last decade or so. This could be his mainstream ticket, kids. • source

03 Feb 2009 10:30

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Music: “A gratifying shock”: Pitchfork likes the new Morrissey album

  • This is Morrissey’s most venomous, score-settling album, and in a perverse way that makes it his most engaging.
  • Tom Ewing • in a review of Morrissey’s Years of Refusal, which he claims is the former Smiths singer’s best album since 1994’s Vauxhall and I. • source