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21 Nov 2009 18:47

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Music: Our Saturday Mixtape looks back at rock history’s greatest badasses

  • 1. Lou Reed is a badass because he managed to make a song like “Pale Blue Eyes” – an exercise in emotional nudity which few artists of his stature are willing to try – seem brave, not pansyish. It worked to strong effect in this year’s “Adventureland,” by the way.
  • 2. Marc Bolan is a badass because he lived fast, died young, and still managed to have a career full of badass moves. From his start as an off-kilter folkie (Tyrannosaurus Rex) to his peak as a glam god (T. Rex) who directly inspired the previous badass, his badassness set a pretty high bar.
  • 3. Paul Westerberg is a badass because he never gave into the mainstream when he was creating his greatest work. “Bastards of Young” is perhaps The Replacements’ catchiest tune, but instead of actively trying to push it on MTV, they made this video to go with it. That’s badass.
  • 4. Josh Homme is a badass because he released this song as a single. And then his band, Queens of the Stone Age, played it at a drug rehab center last year. It really is the feel-good hit of the summer. Or any year, really.
  • 5. James Murphy is a badass because he knows how to get down even though he’s getting old. Really, we could’ve picked any song Murphy did as LCD Soundsystem over the last five years and nailed it as evidence. But “Daft Punk is Playing at My House” works as both a sneering homage to Daft Punk and a homage to being a badass. So it wins. source
Posted by Ernie Smith • 0 Comments • Permalink

14 Nov 2009 13:51

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Music: Saturday Mixtape: Our decade in review goes all the way to 2006

  • 1. Tokyo Police Club may have ushered in the era of the blog-buzz band, but that doesn’t mean their first mini-album doesn’t hold up. These Canadians, who weren’t even old enough to drink (in Canada!) at the time, brought a lot of energy to their post-punk stylings, if not a lot to say. Unfortunately, the Black Kids/Pitchfork fiasco can probably be blamed partially on their success.
    2. In 2006, TV on the Radio finally lived up to the potential of their first EP thanks to their amazing second album, “Return to Cookie Mountain,” which is on the shortlist for best album of the decade. “Wolf Like Me” is on the shortlist for their best song. If “Staring at the Sun” didn’t already exist, there’d be no contest.
    3. While Girl Talk’s “Night Ripper” is definitely of a single amazing piece of cloth, “Hold Up” deserves mention simply because it features the best single use of a Weezer song since 1997 – including by Weezer themselves.
    4. The great thing about The Thermals? They sound like a bunch of goofy grown-up kids playing punk rock, but (unlike Tokyo Police Club) the subject matter they tackle is dead serious. On “A Pillar of Salt,” Hutch Harris tackles religion with lyrical book smarts but with the energy of a six-year-old.
    5. If girl-group pop was slowed down to just before the point where the life was completely sucked out of it, you’d have Grizzly Bear’s “Knife,” their calling card into the top tier of indie rock.source
Posted by Ernie Smith • 4 Comments • Permalink

31 Oct 2009 16:52

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Music: Our Saturday Mixtape’s decade-in-review lands in 2005

  • 1. Between this and The Walkmen’s “The Rat,” you have two of the three best songs of the decade right here. (The third is coming in the next few weeks.) A surreal, beautiful, simple song, Antony deserves the high praise this song (and album) earned.
    2. The Hold Steady’s Craig Finn is a walking Wikipedia entry on the city of Minneapolis, something that straight-up defines the sound of “Your Little Hoodrat Friend,” a four-minute explanation of why this band is so awesome to people not in the know.
    3. Sort of a ying to The Hold Steady’s yang, Art Brut’s Eddie Argos is nearly as self-referential as Finn is. On “Emily Kane,” Argos counts down to the second when his first relationship ended. And not surprisingly, the whole album is this clever.
    4. People seem to give Conor Oberst crap for being too pretentious for his own good, but for one shining moment this decade, he was able to get past all that and create a truly shining piece of work, “I’m Wide Awake It’s Morning.” “Land Locked Blues” is our favorite highlight.
    5. Perhaps the best story to come out of 2005 was the long-gestating return of Vashti Bunyan, a former Andrew Loog Oldham protégé who released a spectacular, unheard album, “Just Another Diamond Day,” in 1970, only to disappear for 35 years. Thanks to Devendra Banhart, Animal Collective and other hipster fans, she returned with “Lookaftering,” an amazingly assured victory lap. “Wayward Hum” doesn’t even need words to be a highlight.source
Posted by Ernie Smith • 4 Comments • Permalink

24 Oct 2009 12:20

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Music: Our Saturday Mixtape: Atlas Sound and Ben Gibbard cohabitate

  • 1. Bradford Cox is really one of a kind. The Deerhunter lead singer, who moonlights as Atlas Sound, really does a great job synthesizing really interesting ideas into his stew. Especially if, as in the case of “Walkabout,” that idea is Noah Lennox (Panda Bear) of Animal Collective. It’s a very Panda Bearish-sound, but built on of of those simple-but-awesome Deerhunter song structures.
    2. We admit to having an affinity for this broken twee sound, which Pens does a pretty good job of replicating on “I Sing Just For You.” It doesn’t really hold up over a whole album, but it’s nice in single-bite form.
    3. Sufjan Stevens went from recording really awesome albums about states to doing his best impression of the compositions from Final Fantasy VI (or Final Fantasy III if you’re a luddite who doesn’t know the series’ Japanese history). That description doesn’t give “The BQE” much credit – really, it’s great – but we hope he gets back to the 50 States Project soon.
    4. Ben Gibbard doesn’t have to do this. He’s already incredibly famous, and Death Cab For Cutie’s an interesting enough outlet that he doesn’t need another Postal Service-style offshoot to keep busy. But we appreciate his album of Jack Kerouac-inspired songs he did with Jay Farrar – it’s very much in the “Mermaid Avenue” mold. In a good way.
    5. It’s good to see our old friends Kings of Convenience showing up with a new album. We thought they were gone for good. A lot of people argue they need to expand their sound, but we think it’s perfect as-is, especially on “Me in You.”source
Posted by Ernie Smith • 0 Comments • Permalink

17 Oct 2009 14:16

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Music: This week’s Saturday Mixtape covers some of 2004’s best tunes



OK, we're halfway through the naughts after this week. In case you haven't noticed, we've been going through some of our favorite songs of this decade, year-by-year, since August. Once every other week or so. This week, we hit 2004. (Want to hear the others? Click here: 2003, 2002, 2001, 2000)
  • 1. If we had to pick one song of the decade, this would be it. In four and a half minutes, The Walkmen’s “The Rat” nailed the unnecessary gravitas and self-seriousness that defined this decade. No other song has come close to best defining it.
    2. Animal Collective essentially did the opposite of what Radiohead did to become famous. Starting out as a strange, dense, openly experimental band, they found themselves making pop music by the beginning of 2009. We still heart 2004’s “Sung Tongs,” though, and “Who Could Win a Rabbit?” is the bridge between the two sounds.
    3. The Arcade Fire suffered greatly at the hands of overhype, like many other perfectly-good bands of the era – Bloc Party or Vampire Weekend, anyone? But they deserved every bit of the hype they got, especially on “Neighborhood #3 (Power Out).”
    4. The Streets – aka Mike Skinner – nailed the best album of his career in 2002 with “Original Pirate Material,” but as far as singles go, “Fit But You Know It” is easily his best. With that roughshod beat – the kind of beat that Lily Allen rides up the charts nowadays – backing a story of a drunk ticked about the unattainable hottie in front of him, it synthesizes the best of Skinner’s sound and storytelling.
    5. The great secret of Sufjan Stevens’ “Seven Swans” – an album openly loaded with religious imagery – was that you didn’t need to be Christian to be deeply affected by it. “The Transfiguration” is beautiful on its own terms, but not without questioning its listener: “Consider what he says to you, consider what’s to come.” source
Posted by Ernie Smith • 0 Comments • Permalink

03 Oct 2009 23:20

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Music: We continue our Saturday Mixtape decade-in-review with 2003

  • 1. The Jayhawks’ sturdy approach was never really appreciated after about 1995 or so, which is a shame because “Rainy Day Music” is a great album, and “Save it for a Rainy Day” is one of the alt-country band’s best singles.
    2. M. Ward’s under-the-radar rep tipped above the radar after 2003, but “Transfiguration of Vincent” is as good as his later albums – if not better. “Vincent O’Brien” plays centerpiece.
    3. Back in 2003, The Yeah Yeah Yeahs were overhyped and under-appreciated all at once. “Maps” went a long way to make them accessible, but their first album, “Fever To Tell,” was full of spiky bursts of energy like “Y-Control.”
    4. Dear Ben Gibbard: You’re sitting on a huge potential pile of money and you haven’t done anything serious with it in nearly six years. No matter the success of Death Cab for Cutie, the reason that people started caring about DCfC en masse is The Postal Service. Here’s a B-side, “There’s Never Enough Time,” covering a topic that we know all too well about.
    5. The Wrens are the quintessential indie success story; ditched by a label that later sold out and became huge by pushing Creed, they disappeared for years, only to return with a victory lap of an album, “The Meadowlands.” “She Sends Kisses” has a great hook that stays with you for days.source
Posted by Ernie Smith • 0 Comments • Permalink

26 Sep 2009 16:16

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Music: Lotsa great music’s come out latetly. Our Saturday Mixtape is on it.

  • 1. We admit that we’ve been quite excited about Monsters of Folk, mostly because of our boy M. Ward. (Nothing against Conor Oberst, but he seems to have lost his edge lately.) The leadoff track, “Dear God (Sincerely M.O.F.),” certainly doesn’t scream folk, but there’s certainly a lot more going on here than an indie equivalent of the Traveling Wilburys.
    2. What if you took the most experimental part of Bon Iver’s “For Emma, Forever Ago” and built a whole album around it? You’d have Volcano Choir‘s “Unmap,” which features frontman Justin Vernon with Milwaukee’s Collection of Colonies of Bees, proving that he’s not the only interesting musician currently coming out of Wisconsin.
    3. Lots to love here. The Big Pink’s “A Brief History of Love” has at least one killer chorus in the form of “Dominos,” which gives a nice sheen to their best shoegaze intentions.
    4. Rain Machine, a.k.a. TV on the Radio’s Kyp Malone, had one of the year’s most-highly-anticipated releases. The album itself isn’t nearly as amazing as the billing, but the vocal theatrics of the otherwise-simple “New Last Name” certainly live up to the pedigree.
    5. On “Higher than the Stars,” The Pains of Being Pure at Heart seem to be ready to cut back the massive amounts of guitar distortion that defined their earlier releases. Even without it – relying more on a cheery synth instead – the formula still works.source
Posted by Ernie Smith • 2 Comments • Permalink
 

19 Sep 2009 15:27

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Music: Ah, vintage 2002. Our Saturday Mixtape takes a swig or two.

  • 1. Back in our noise-addled 2002 minds, Idlewild’s “You Held the World In Your Arms” was that explosion of R.E.M.-esque bombast that should have been huge in the U.S., but instead remained on the fringes.
    2. Consider this a placeholder for both the Roots and Cody ChestnuTT, who both released killer albums in 2002. (Lala, sadly doesn’t have ChestnuTT’s only album thus far, “The Headphone Masterpiece.”) A lot’s changed since this song came out – The Roots are on Jimmy Fallon, and ChestnuTT is … somewhere. Where did you go, man?
    3. When everyone was going gaga over Interpol (we didn’t get the hype), we were putting The Notwist’s “Neon Golden” on repeat. A slice of IDM+pop, “Pilot” is the German band’s best song.
    4. It wouldn’t be 2002 if we didn’t give due credit to Wilco’s “Yankee Hotel Foxtrot,” so here we are, giving it. They haven’t been as weird as “Radio Cure” since, but it was weird enough to get everyone to pay attention.
    5. Iron & Wine’s success was a starting point for 21st-century indie folk. The fact that Sam Beam’s been improving ever since doesn’t negate the fact that he wrote the template with songs like “Upward Over the Mountain.”source
Posted by Ernie Smith • 2 Comments • Permalink

05 Sep 2009 16:08

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Music: Our Saturday Mixtape decade-in-review continues with 2001’s best

  • 1. Rufus Wainwright came out of the gate strong, and maybe lost a little steam after the second album, but “Cigarettes & Chocolate Milk” definitely isn’t the point where he lost the plot.
    2. Quiet wasn’t the new loud, but the sorta-movement created a couple of pretty solid bands between Kings of Convenience and Turin Brakes, whose “Emergency 72” holds up well considering its current lack of musical context.
    3. Britt Daniel of Spoon made a compelling argument for “The Fitted Shirt,” a style that’s evolved from the days of “ma’am and yes sir” to the style of choice for the male on the prowl. In the process, he made a very compelling argument for Spoon.
    4. It’s interesting how a band known for its guitar-shredding, the White Stripes, first hit mainstream consciousness with “Hotel Yorba,” a three-chord acoustic guitar ditty. No worry; they’d quickly become one of the decade’s biggest bands.
    5. Two years after Dntel’s “This is the Dream of Evan and Chan” came out, the ideas of this song were further explored with the uber-popular (and woefully neglected) Postal Service. And it’s obvious why. Jimmy Tamborello’s glitches and Ben Gibbard’s vocals made perhaps the best argument ever for indie-plus-IDM.source
Posted by Ernie Smith • 0 Comments • Permalink

29 Aug 2009 18:57

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Music: Our Saturday Mixtape fawns over female vocalists

  • 1. Sally Shapiro isn’t this dance singer’s real name. But it doesn’t matter, because the icy synthy Italo of “Looking at the Stars” is awesome no matter who’s singing it.
    2. The XX just got a killer review on Pitchfork, digging on their lean, mean R&B stylings, which remind us a bit of that Jesus & Mary Chain single with Hope Sandoval, “Sometimes Always.” Female vocalist Romy Madley Croft is front and center for most of the song.
    3. Kate Earl sounds like she’s going to be a huge pop star – which we don’t mind, because she also sounds pretty awesome. The Alaskan perhaps is most akin to Regina Spektor (with more record scratches) on “Melody.”
    4. Hearkening back a bit, Lush is one of many shoegaze bands to pop up in My Bloody Valentine’s wake, and the vocal layering on “Sweetness and Light” still sounds fawn worthy two decades later.
    5. Really, would a list like this be complete without Kate Bush? She’s like the biggest icon of independent female songwriting, ever, and “Hounds of Love” arguably is her musical peak.source
Posted by Ernie Smith • 0 Comments • Permalink
 
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