Music: Saturday Mixtape: Five trailblazers to start out the next decade
- 1. Folk: The Avett Brothers had a pretty good 2009, with a large major-label mainstream breakthrough in the form of “I and Love and You.” As folk goes, their sound – influenced by ramshackle punk and Beatlesque melodies as much as traditional Guthrieisms – seems ready to define folk-rock for the next decade. And unlike Ryan Adams, they have a fairly consistent musical plot, which means they won’t screw this up so easily.
- 2. Punk: Fucked Up may perhaps be the most interesting thing to happen to hardcore punk in a couple of decades. There’s a distinct level of risk in their performance style (they’re known for being violent and confrontational) and their sound (their most well-known album, “The Chemistry of Common Life,” opens with a flute solo – not exactly hardcore), and it’s a definite blueprint for punk’s future that could win them fans over time.
- 3. Electronic/Noise: HEALTH has two pretty good albums to their name, and with a brutal live set (punctuated by pin-drop changes in dynamic), a tie to one of L.A.’s best scenes at The Smell, and an ear to the potential of electronic music (2007’s HEALTH//DISCO remix album proved to be a great evolution of their sound), they’re bound to come up with a great album eventually.
- 4. Pop: Chromeo is perhaps the most influential pop band that currently isn’t getting heavy play on the radio. Mainstream acts are riffing on their retro sound (which itself riffs on Hall & Oates, with a little French electronica mixed in there) left and right, and they come up way more often in articles about pop music than they do on iPod playlists. With a third album in 2010, expect them to get an even bigger profile.
- 5. Rock: Titus Andronicus perhaps has one of the most interesting conceits for an album in 2010 – “The Monitor,” a concept piece on the Civil War, anchored by a song called “The Battle of Hampton Roads.” The scrappy indie rockers, if they pull it off, could win the kind of respect handed to guys like Craig Finn of The Hold Steady. The band already has a history the with concept album, so it should be intriguing.
pulled off a neat trick with “The Ballad of the Sin Eater,” turning in solid commentary of America’s place in the world during the height of the Bush era. With the Iranian election still fresh, it’s a line of thought in need of reevaluation.
” was an amazing, vitriolic statement on spirituality, with “Twice Born” playing centerpiece. From Sufjan Stevens to The Thermals, religion plays a huge role on both sides of this debate.
analyzes the nature of indifference with “Don’t Vote,” which plays like a modern “Okie from Muskogee.”