• The great, sick joke of the film’s grindhouse logic is that even though what it shows us didn’t happen, in a larger, almost abstract sense it did happen. (I mean, it’s not as if the Nazi high command, in the end, wasn’t destroyed.)
• Entertainment Weekly film reviewer Owen Gleiberman • Discussing the possibility that Quentin Tarantino’s latest film might be the birth of a backlash. He notes that one of his reviewer friends found the end of the movie to be extremely offensive. Glieberman’s unnamed friend “thought Tarantino had stepped over a line of historical veracity, and that audiences, especially younger ones, might be led by Inglourious Basterds to embrace the idea that World War II was just another meaningless pulp fantasy.” Our thought? Tarantino’s only doing what his inspirations did – play fast and loose with history for entertainment’s sake. • source

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