• We aren’t experts of Oscar music outside of the rock era, but we have a few ideas as to what makes a good movie song – surprise, heft, and beauty. Unfortunately, most of those songs didn’t get nominated until the ’90s, which means that we’re in a golden era for Oscar-nominated music. Many of the best Oscar songs don’t win, but it’s an honor just to be nominated, really. Here are five we recommend:

• 1. Paul McCartney’s post-Beatles career has been a mixed bag, but at least two absolutely killer tunes came out of it – “Band on the Run” and “Live and Let Die ,” a 1973 nominee which nailed the Bondness of Bond but didn’t lose the Wingness of Wings. The kitchen-sink feel of the song actually suits it pretty well.
• 2. Bruce Springsteen did a pretty great job of washing away the cheesiness of the awful synth-heavy pop tunes (and showtunes) that got nominated for Oscars in the 80s, winning for “Streets of Philadelphia,” a song with genuine weight and grit that opened the door for creatively-risky songs. Seriously, the Academy has never nominated a punk song, ever. If Bruce didn’t win in 1993, Three 6 Mafia wouldn’t have won in 2005. You can quote us on that.
• 3. “That Thing You Do,” as written by Adam Schlesinger, who later became famous with Fountains of Wayne, may have been the Academy’s biggest lark in 1996. Without the song (which was, and still is, an amazing pop gem), the movie would’ve completely sucked. For that reason alone, it’s understandable but a shame it lost – it literally was the best part of a decent movie, the rare song that holds up on its own but makes its source material that much better.
• 4. Elliott Smith’s “Miss Misery” was a mixed blessing for the indie-rock icon, as it offered him tremendous success due to the “Good Will Hunting” tune’s nomination in 1997 (which he used to full advantage on “XO” and “Figure 8“), but ultimately put him in a position where drugs were in a prominent place in his life. At the time, though, it was a truly daring choice for the Academy, one that hasn’t been reflected since.
• 5. As a story angle, The Swell Season’s “Falling Slowly” had a little of everything – real-life romance, song-making-the-movie strength, and ceremony drama, when Markéta Irglová, one half of the “Once” duo (The other half being The Frames‘ Glen Hansard), was famously snubbed out of her 2007 acceptance speech, only to be allowed back on-stage to give one. That’s something that NEVER happens.

Other nominees: “Theme From Shaft” by Isaac Hayes, “The Rainbow Connection” by Kermit the Frog (seriously), “Against All Odds (Take a Look At Me Now)” by Phil Collins, “Take My Breath Away” by Berlin, “Under the Sea” from “The Little Mermaid” (also seriously)

• A sorta-supergroup Remember Hanson? Betcha thought Taylor was dreamy. And how about that Asian guy from Smashing Pumpkins whose guitar parts Billy Corgan replaced with his own? What about the guy from Fountains of Wayne who writes all the songs but doesn’t sing? Put them together with the drummer from Cheap Trick, and you have, uh, a band of some kind. source

• A sorta-supergroup Remember Hanson? Betcha thought Taylor was dreamy. And how about that Asian guy from Smashing Pumpkins whose guitar parts Billy Corgan replaced with his own? What about the guy from Fountains of Wayne who writes all the songs but doesn’t sing? Put them together with the drummer from Cheap Trick, and you have, uh, a band of some kind.
• An album’s already done Tinted Windows is already far along in their band-life process. Not only do they have an album recorded, but they’re going to play a Billboard showcase at SXSW next month. In case you’re wondering why this bizarre combination makes sense, here’s the connection: Adam Schlesinger (who wrote “That Thing You Do!”) and ex-Pumpkin James Iha co-own a studio together. source