Music: Saturday Mixtape: Are the sad-sap Eels not made for these times?
- 1. Most bands who aren’t Spoon would take a mainstream-rock-touching victory lap like 2007’s “Ga Ga Ga Ga Ga” and push even further towards success. But Spoon is Spoon, and Spoon makes songs like “The Mystery Zone” (and albums like the freaking awesome “Transference“) which are challenging (and avoid verse/chorus/verse boredom) but by no means inaccessible. And that’s why Spoon rules.
- 2. Pitchfork hated the latest Eels album, and we think we know why. The level of directness Mark Oliver Everett touches upon in the songs on “End Times,” especially “In My Younger Days,” is super-high. It ditches the wry humor and straight up goes for the sad sap music. And at 46, the dude’s quickly looking like an elder statesman of the sad sap set. Throughout the late ’90s, music this direct dominated indie rock (see Elliott Smith, Sparklehorse, and well, Eels). And nowadays, it feels out of place. In our opinion, though, that’s why we like it. Even if Pitchfork hates it.
- 3. Speaking of sad sap music, alt-country guy Ryan Bingham is gunning for Ryan Adams’ mantle and might just win it, thanks to “Crazy Heart.” Bingham – who’s halfway between Adams and Bruce Springsteen – wrote the movie’s theme song, “The Weary Kind,” which is destined to get nominated for an Oscar thanks to the longstanding buzz the movie has.
- 4. With a frenetic attack reminiscent of Dan Deacon (with way more guitars thrown in for good measure), Fang Island’s “Daisy” is the kind of everywhere-at-once tune we can get behind on its good looks alone. It makes us look forward to their full album, out next month.
- 5. Are The Avett Brothers as powerful when it’s just Avett Brother? Seth Avett released a handful of albums as Timothy Seth Avett As Darling back in the day, and the band’s old label, Ramseur, re-released them late last year. “Some Bad Dream” shows where The Avett Brothers were headed even if it wasn’t all the way there.
